A HISTORIOGRAPHY OF essays

A HISTORIOGRAPHY OF essays The tales of the Arthurian legend are some of the most popular from medieval times, and the reason for this is primarily due to their fabulous nature. In them are the exploits of heroes and the machinations of villains, the workings of sorcerers and the existence of magical objects. They embody the noble themes of chivalry and sacrifice, as well as those of revenge and evil. Action, violence, and sex are all included, and as shall be seen, there are many religious connotations as well. There are probably few people who are not familiar with the Quest for the Holy Grail, even if it is from exposure to the movie by Monty Python. The tales as most people know them, however, are the end result of centuries of change, both by the wandering minstrels and the serious authors of the medieval period. There exist numerous versions of each tale, and these versions are often contradictory. Roger Sherman Loomis was a noted medieval scholar, and a large part of the body of his work is an attempt to trace these tales to their origin. In going back to the roots of these tales, it is possible to see how and where variations took place. In Arthurian research, there are two main schools of thought. The first asserts that these tales have as their basis actual figures who lived in the towns and castles described in the tales and took part in the actions described, though obviously with some embellishment. The second school posits that these tales represent the evolution of even more ancient legends, the towns and castles (which are often factual) being inserted into the tales to lend them credibility. Loomis is a member of the latter. This historiography examines several of the works of Roger Sherman Loomis, which span the years from 1926 to 1964. In doing so, the nature of the origination of these tales will become evident, at least according to Loomis. First, however, some biographical information is in order. It may strike the read...

Arthur Millers Death of a Salesman and The Crucible essays

Arthur Millers Death of a Salesman and The Crucible essays Arthur Miller, winner of many literary and dramatic awards, is an incredibly influential force in American drama. His plays deal with issues common to every society. He makes the audience face fault, weakness, and ignorance; subjects we would typical hide from. At the same time he emphasizes strength, human spirit, and familial love. Alice Griffin believes that Miller's plays are important internationally (xii). He belongs to an international theater rather than a regional theater (Heilman 170). His plays are staged and studied by students to understand American life in Russia, P and, Iceland, Brazil, Italy, France, Germany, Czech Republic, and China to name a few (Griffin xi). Miller's works thrived in England. The University of East Angelia named it's center the Arthur Miller Centre (Griffin 1). They can relate to the sense f identity, honor, recognition, and familial love (Griffin Preface). In a production in Beijing, Miller explained to a Chinese actor playing Biff the son's feelings of guilt and "painfully requited" love for his father, the actor understood as it is v y Chinese (Morath 79). The phenomenon of Death of a Salesman has been the same all over the world. Audiences all have a sense of their life story of their father, uncle, or brother (Griffin 35). In real life Miller had an Uncle Manny who had two sons ho were in competition with Miller and his brother. Manny ended his own life because he failed at business. Miller's personal history is demonstrated in his sensitive and passionate writing in Death of a Salesman (Griffin 41). The Crucible (1952) was originally intended to be called Those Familiar Spirits, referring to a spirit that a witch presumably sends out to torment her victims. However, the well area at the bottom of a blast furnace is known as the crucible, it is whe the molten steels collects being entirely broken down due to immense heat. Miller thought that this was a p...